Against Catiline
is more than an attack on one Roman senator; it is a political power
play, an attack on the populares faction of the Roman Republic, of
which Catiline was a part of and Cicero, being a member of the
optimate faction, was opposed. In this paper, I will examine the
metaphor of the Roman Republic as a human body and how Cicero uses it
to call for not only Catiline’s exile, but also the exile of all
the members of the populares faction.
In
section 28 of the First
Oration Against Catiline,
Cicero declares: “if this man alone is removed from this piratical
crew, we may appear, perhaps, for a short time relieved from fear and
anxiety, but the danger will settle down and lie hid in the veins and
bowels of the republic. As it often happens that men afflicted with a
severe disease, when they are tortured with heat and fever, if they
drink cold water, seem at first to be relieved, but afterward suffer
more and more severely; so this disease which is in the republic, if
relieved by the punishment of this man, will only get worse and
worse, as the rest will be still alive”. Through metaphor, the
republic is compared to the human body, a body which can be sickened
by disease. Cicero states that the cause of the current disease is
not only Catiline, but also his friends and followers, the members of
the populares faction. The exile of Catiline alone will not be enough
to cure the disease; all of the members of the populares faction must
be expelled from the city to rescue it from its affliction.
The
metaphor of the republic as a human body is particularly effective at
both affirming the optimate vision of a Senatorial republic and
pushing for the expulsion of the populares. First, the metaphor of
the human body in this usage creates a clear dichotomy: the body is
either alive or it is dead. By equating the current, traditional
republic as the living body, Cicero equates a populist republic, led
by a demagogue, as the result of the “disease” of the populares
faction, a dead republic. Next, by stating that the remaining members
of the populares faction upon the expulsion of Catiline will hide in
the “bowels” of the republic, Cicero evokes a sensation of
disgust by labelling the populares faction as the filthy inhabitants
of the most unpleasant portion of the body of the republic.
The
metaphor then uses the juxtaposition of temperatures for rhetorical
effect. The statement, “tortured with heat and fever” has a dual
purpose. First, the symptoms of disease mentioned in this statement
create a sense of urgency; the affliction is extremely serious and
must be cured at once. Second, Cicero meant to evoke the sense of the
fiery, populist movement of the populares in his choice of “heat”
and “fever” as opposed to the cold, conservative Senatorial
republic; it is the populares faction that is the cause of these
symptoms. Cicero then states that the temporary cure of a “cold
water” will not cure the disease and ultimately result in the death
of the body, the death of the republic. The contrast of temperatures
between the two factions, hot for the populist, populares faction and
cold for the conservative, optimate faction generates a crucial
subtext in the argument: since the murder of Tiberius Gracchus,
populist movements supporting demagogues had been growing stronger
and stronger in Rome. Solving only the current problem would not
change a political landscape where a populist, military strongman
seizing power had become relatively common. The only complete cure
for the dying, diseased body of the republic would be for the total
expulsion of the populares faction.
In
conclusion, Cicero’s metaphor of equating the Roman Republic to the
human body portrays Catiline and the populares faction as a disease
that must be expelled to be cured. This metaphor stands centrally
within a political power play in which Cicero, a member of the
optimate faction, attempts to destroy the populares opposition.
Unfortunately the Caesarian, populares vision ultimately prevailed,
resulting in the death of the Roman Republic and the birth of
Imperial Rome.
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