Charles Lu
Dale
Carrico; Rhetoric 103A
GSI:
Jerilyn Sambrooke
26
November 2016
Figurative Analysis: Sappho 10
You’re
Just like the sweet apple, reddening at the highest
branch, missed by the apple pickers –
But no,
They did not miss you!
They just couldn’t reach so
high.
Just like the sweet apple, reddening at the highest
branch, missed by the apple pickers –
But no,
They did not miss you!
They just couldn’t reach so
high.
And
You’re just like the mountain
Hyacinth,
trodden by the shepherds
next to the purple
blossoms
You’re just like the mountain
Hyacinth,
trodden by the shepherds
next to the purple
blossoms
Sappho was a Greek poet, whose work
frequently expressed her views on love, as well as her homoerotic love for
another. In her texts, she frequently
used figurative language to emphasize and enhance her expression of love and
admiration. One of her poems, Fragment 10 Sweet Apple, likens her
object of desire to both a fruit and a flower, to show how others overlook her
object of love.
Here, Sappho opens up by stating
“You’re just like the sweet apple…” (Sappho 1-2), creating the simile likening
her to an apple, the apple long being symbolic of a young maiden, with their
maidenhood ripe for their lover. Sappho
uses this simile to show the reader how she views this other woman as this
symbolic, ripe fruit which she desires.
Sappho then describes the fruit, and symbolically her lover, as
‘reddening’, comparing how an apple reddens as it ripens to how a maiden’s
cheek’s will redden as she falls under the desire of others. Sappho then emphasizes how desirable this
fruit, her, is by using enjambment to describe how she hangs from the ‘highest
branch’, a branch that grows so high that not even the constraints of the paper
can contain it, and it grows so far it reaches into a second line. This is reinforced by Sappho stating that
“They did not miss you! They just couldn’t reach so high” (Sappho 5-7). This phrase shows both how highly desired she
is, but also how the other chasers don’t even try to reach for her.
The second passage then compares her
to a ‘mountain Hyacinthe’. Here, the
heights are juxtaposed, as the apple lays far above and out of reach, compared
to a Hyacinthe flower which lays at the feet.
Yet, while it could be said that the other suitors were unable to reach
the apple because of how high it was, Sappho writes that this Hyacinthe is
“…trodden by the shepherds next to the purple blossoms” (11-13). In the previous passage, Sappho stated that
the apple was not picked not because it couldn’t be reached, but because nobody
sought it, in this passage she write how the Hyacinthe has been overlooked for
the purple blossoms. And who is it that
overlooks the Hyacinth? Mere shepherds she writes, indicating that the people
who trample the Hyacinthe, and metaphorically overlook her lover, are peasants
who can’t appreciate the beauty.
Throughout Fragment 10, Sappho uses figurative tropes and schemes to both
praise and emphasize the desirability of her love, and also indicate that others
overlook this beautiful object. From the
high-hidden apple, to the earthly Hyacinthe, Sappho’s language is able to
capture all essences of these objects and compare it to her lover.
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