Corway Chao
Professor Carrico
GSI: Kuan Hwa
The Prattling Preaches of Protagoras vs. the Assault of Socrates’s Thoughts
The text Protagoras
by Plato begins with a young Athenian citizen aspiring for political
eminence, who requests Socrates’s accompaniment in discussion with the
reputed “wisest of all living
men,” Protagoras. However, as a political philosopher, Plato had much
to say concerning citizenship and Sophists. With a stroke of the pen, he
combines both topics to demonstrate the flaws of the Sophists through
dialogue concerning citizenship. From the point
Hippocrates notifies Socrates of Protagoras to when the famed discourse
nearly drew to an end, Plato portrays the flaws of the Sophists,
through its sole representor, Protagoras and his association with
outward appearance, his weakness and inaccuracy intrinsic
in arguments that merely gloss over the surface, and his twisting of
knowledge to support his claims.
Plato, through the
discourse of Philosopher and Sophist, brings up what can be related to
the flaw of Sophism, Protagoras’s association with outward appearance,
more precisely that of a citizen when he clearly
is not so. The text begins with introducing Protagoras as a foreigner, a
husk residing where he literally does not belong as a foreigner.
Moreover, to Socrates that was not the fact that mattered to him.
Instead, Socrates describes Protagoras as fairer than
the beautiful Alcibiades, for “is not the wiser always the fairer?” By
relating Protagoras’s wisdom to appearances, Socrates not only reveals
his wisdom as a mere front or act, but even as a whore, when he
immediately follows with commodifying the act by saying
“if Hippocrates [gives] him money…[Protagoras] will make [him] as wise
as he is himself.” Using Hippocrates’s conundrum with his slave, a
citizen enforcing his right by trying to capture his property, Plato
cleverly associates Protagoras to a slave when he
has Protagoras say, “to run away, and to be caught in running away is
the very height of folly.” The slave has been captured so to say, since
Protagoras is shown to be very much like a slave, an occupant that looks
like a citizen, but lacks the full rights
of such. To be seen as a suitable teacher for Hippocrates is quite
fitting however, because for a man who seeks political eminence, one who
uses wisdom for appearance alone is perfect. To further enforce
Protagoras’s superficiality, Protagoras differentiates
himself from other Sophists by only teaching “prudence of public
affairs”, without wasting time on the arts, the true substance and
culture that makes up a citizen, the stilts of nationalism that Plato
touts. Nearly having the discussion drawn to an end, Socrates
dubs the mostly foreigner assembly, “arbiters,” upholders of the laws
that Plato finds inherent in citizenship, another instance of the
foreign Sophists acting as citizens.
The
association between Protagoras and appearance reflects the kind of
arguments that Protagoras and the Sophists make, arguments that only
gloss over the surface, with their inherent weakness
and inaccuracy. By using Hipponicus as metaphor and example, he is
shown “lodged…[in] a storehouse that “Callias had cleared…out,” a
presentation of the Sophist arguments’ lack of substance. He is “wrapped
up in sheepskins and bedclothes,” a foreigner, a
wolf pretending to be something it is not, blending in under the golden
light of reason and fleece. Without realizing the true complexities of
citizenship and its treasured quality, virtue, Protagoras oversimplifies
virtue into five parts, which Socrates is
able to prove as one greater, holistic concept. Even when backed into a
corner, Protagoras still desperately attempts to wriggle out with his
ambiguous, weak concession, “if you please I please; and let us assume,
if you will.” Sensing a chink in the armor
that is Sophistry, Socrates asks Protagoras to “cut [his] answers
shorter,” because its long length not only leaves listeners wondering
about the original question, but also allows him to gloss over details
as an extensive response is laid out. With Sophists
simply constructing a shell of interpretation, it was bound to crack
under the intense pressure of Socrates’s style: curt, probing questions
and examples meant to puncture.
In
attempts to substantiate their claims under the probing of others, the
Sophists were shown to be enthusiastic practitioners of twisting
knowledge for support. By relating Protagoras’s wisdom
to a slave, his wisdom is shown to be stripped of its most basic
aspects to be bent against its will. Even Protagoras himself believed
that “[a Sophist’s] purpose…[is] to deceive the government,” as if at
once proclaiming his dishonesty and anarchic, irresponsible
citizen tendencies. The unctuous interlocutor even deals a sweet breath
of liberty and bootlicking to the audience by giving the option of
”apologue or myth, or…[arguing] out the question,” demonstrating the
many masks that his arguments can constantly don,
while Plato staunchly supports using the form that best fits the
argument.
Presented
as a set of frauds and foreigners, the Sophists were brought down in
authenticity harshly through Plato’s references to citizenship. Plato
believed citizens were born into that right
and should uphold laws the best they can to support it. Sophists were
seen as anything but; people who are not born in Athens, do not support a
true sense of virtue, and do not try their best to demonstrate the true
aspects of concepts. Perhaps the reason
Sophists initially hid under the guises of other professions was to
avoid the barbs, like those of Plato, becoming entangled in the sheep’s
wool that they try to pull over the eyes of others.
1 comment:
Corway,
This is an ambitious amount of material to cover in a précis, but you do a decent job at highlighting the conflictual and rhetorical tensions between Protagoras and Socrates. I would have liked to see you slow down and perform a careful exegesis of basic arguments a little more; in certain moments it sounds like you conduct a figurative reading rather than a précis. You give an account of how Socrates "proves" virtue to be one thing rather than 5 according to Protagoras. How does he do that?
Your overall schematization of the dialogue is at times enriched by your stylistic choices, but you also unnecessarily mix metaphors at times. If sheepskin is the image given in the text, you can stay with that image rather that bring us to armor, etc. You also seems to align yourself with Plato. Is this intentional? For a précis, you should try to give us an account of the arguments in a way that puts more focus on their logical and argumentation structure, and even lead us to interrogate the ramifications of such arguments.
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